Warm and Gooey presents..."Monstrous City, Endless Night"

a night in a city with all its highs and lows

sorry for the wait

track listing:
01. out of tokyo - interior
02. paradise architects - theo parrish
03. relaxer - ital
04. so weit wie noche nie - jurgen paape
05. brownstone express - metro
06. kaint - galcher lustwerk
07. yours (ft. virginia) - steffi
08. no - hnny
09. hardbody - scuba
10. apt 3b - n.y. house'n authority
11. ghosten - kyle hall
12. its money in the D - omar s
13. realise - floating points
14. ballad of distances (part 1) - stars of the lid
15. (credits) hikaru kaze - hiroshi sato

comment if you want a physical copy (CD)!

theo parrish - paradise architects

"I don’t really listen to music at all, I don’t have a record player at home. The only time when I do like to listen to music is a day or two after taking too many drugs on a night out. 
...that special moment when you’re so empty after taking so many drugs and you’re just so empty from inside and all of your emotions are laid bare – I like that moment a lot even if it's painful or like a hangover, well maybe it’s more before the actual hangover pain really starts. Then I can get into music deeply."
- david lieske

carsten jost - days gone by

bibio's green EP

Well, this EP came out quietly at the beginning of the year and fittingly so, cause it's a pretty quiet little collection of songs -- quiet, delicate, and unobtrusive. So quiet, delicate, and unobtrusive, in fact, that no one (myself included) seemed to pay it much attention. Maybe that's also because people are kind of tired of the Bibio sound; they feel they've already heard what he has to say, and have stopped caring when he puts out new stuff. Or maybe it's because he's not considered that relevant anymore. Or maybe it's just because, as Pitchfork decided, the album is only really a 6 out of 10. But then, Pitchfork have never been ones to buck popularity trends. It's true that Bibio isn't as cool to listen to now as he was in 2009, when Ambivalence Avenue came out and Pitchfork writers were tripping over each other to draw comparisons to J Dilla (I'm just guessing), but he's still worth listening to.

I think the best way to approach The Green EP, as with much ambient music, is attentively, patiently, and without expecting too much from it. Just put it on some afternoon and let it elevate whatever quotidian activity you happen be engaged in. It will be over a little too soon, and leave you a little more relaxed than it found you.

The Green EP 

Thanks to Tam.

jan hammer group - don't you know

from "melodies" 1977

WG World Volume 1: Daisyworld

Warm & Gooey's world music division WG World presents....
Volume 1: Daisyworld (Yen Records tribute)

Various incarnations of this compilation have been sitting in my iTunes for about a year now,  beginning last fall when a friend sent me "Shüffer" off Inoyama Land's Danzindan Pojidon and I started hunting down every Yen release I could find. By my count, there are somewhere around 35 of them, many of which are simply unfindable. 

Which is crazy, and cool and fun, in this time of universal music find-ability. You have to piece together the story of Yen Records -- of what album came out when and under what moniker, who produced what; of what, for example, the concept of the Apogee & Perigee album was (as far as I can understand, it's basically the story of two robots falling in love in space) -- from a patchwork of bizarre sources: a University of Hawaii professor (and closet technopop-phile)'s long-inactive geocities website, a man named Nicholas D. Kent's slightly crazily thorough attempt to catalog the entirety of Yen's releases (also not active since 2009), Discogs pages, cryptic youtube comments, and Japanese youtube videos with 2- and 3-digit view counts (and google translations of potentially clue-providing comments).

Somehow these forgotten, kind of haunting corners of the internet, the dated web 1.0 interface of those guys' personal websites, are a perfect fit for the pre-internet imagining of the future that this music conjures up for me.

As for getting the albums themselves, every actual physical copy I've come across has been expensive ($50+ for LPs), so that's tough. Then there's the usual collection of obscure blogs, many of which have been inactive for a couple years. What.CD, known for "having everything," has only a small assortment of the most well-known albums by Yen artists. The holy grail for the Yen collector is the "Yen Box," a box set which, between its two volumes, contains 35 CDs worth of albums, singles, remixes, and compilations, including the rarest and best Yen releases. The Yen Box was released in 1996, after Alfa Records (of which Yen was an imprint) was bought by Toshiba (Yen itself only existed from 1982-1985). I don't know how many copies were released, but I have never actually seen one for sale.

Nevertheless, I have managed to acquire a good number of Yen releases, and though I had been waiting to finish this until I had the complete collection, or something closer to it, to pick from, there's definitely plenty of great stuff here, and maybe some day there will be a second installment.

A note on the music: though there is a fairly eclectic range of styles among these releases, Haruomi Hosono and Yukihiro Takahashi (who between the two of them produced almost every Yen album) *for sure* presented a unified and like totally original (some of the first guys to use the Roland TR-808!), if sometimes dated-sounding, aesthetic. So get past the kitschiness and let yourself daydream of adventures in their world -- in Daisyworld*!

WG World Vol. 1 - Daisyworld (Yen Records tribute) 

01. Prologue/Hope - Apogee & Perigee
02. Rydeen (remix by Yasuhiko Terada) - Yellow Magic Orchestra
03. Shisen - Mariah**
04. Shüffer - Inoyama Land
05. Honey Moon - Haruomi Hosono***
06. Hawks - Daisuke Hinata & Iio
07. Ocean Liner - Testpattern
08. Gankyu Kitan - Jun Togawa
09. Flashback - Yukihiro Takahashi
10. Inori - Taeko Ohnuki
11. N.Y. 1908 - Interior
12. Hot Beach - Interior
13. Shinku Kiss ft. Jun Togawa - Apogee & Perigee
14. Wild Ambitions - Yellow Magic Orchestra
15. Crescent Moon - Testpattern

*Daisyworld was the name of a radio program Hosono had which was apparently named after this.
** Mariah's not a Yen artists nor is this song a Yen release, but I just don't want to take it off. 
*** Though Hosono was one of the founders of Yen, this is from his 1975 album Tropical Dandy, released by Panam.

                                                    Testpattern - Après-midi

                               Inoyama Land - Danzindan Pojidon

      Apogee & Perigee - Chojiku Korodasutan Ryokoki

                                                Jun Togawa - 極東慰安唱歌